Tuesday, 19 March 2013
100 Songs In 5 Hours...the 2013 version
On Saturday we had our (now) annual fringe fundraiser –
another attempt to try and get 100 songs performed in the space of just 5
hours. It’s a near impossible task, and completely irrelevant to the show(s) we’re
taking to the Edinburgh Fringe this year – but if you’re going to put on a gig
as a fundraiser you might as well make it an interesting show rather than the
whole four bands on one billing thing. Last year 84 songs were played, this
year didn’t start off on a promising note because the rugby was on in the pub
and we ended up starting half an hour later than planned. Still, when it did
eventually kick off it was great – with my old chum Emily Blickem making it
down from London to open the show for us (she’s midway through a film at the
moment, with six weeks to go, so I really appreciated her stepping out of it
for a night to play) with a selection of witty, sunshine-blessed ukulele
tracks. Colin McGerty was next up playing some darker material (I played congas
for him on his request, even though I’ve never heard him play before/only met
him twice very briefly previously), and then probably the most thrilling
Flaming June set in a very long while. FJ have this knack of being fast and raucous
anyway, so when Louise said to me beforehand, “lets really go for this” I knew
it was going to be an exhausting set – in a good way, and we blasted through
everything at a frightening pace. I had a quick breather as the wonderful
Danielle Page (backed by her guitarist Ian) played 11 quick songs – she has a
brilliant, brilliant voice, before returning to the stage with Popping Candy.
PC are a function band I’ve recently put together with two of my most favourite
people in the whole world – Izzy (my Fat Fox Productions co-founder, wonderful
actress, collaborator, close friend) and Alister (long term collaborator, pianist,
genius, drinking buddy, close friend) – this was only our second show but we
bashed through a few crowd favourites and whilst there’s a sense that we’re a
little nervy at times, we’re starting to find our feet and the audience
responded well. Mr Gavin Bates was next up – an old friend and former bandmate;
I’m really glad Gav could play this, not only because he’s a bloody good
songwriter but just nice to catch up with him. Included in his sterling set
were some songs we wrote together many years ago, what a nice touch that was.
My fourth set of the evening came in the shape of an acoustic Eureka Stockade –
we’re really starting to sound like a proper, established band these days, the
kind of sound you only get after years of playing together. A set consisting
mostly of new material, but sounding really ‘complete’ already, Andy and Rob
were in good voice with plenty of charisma and the time just flew by. The
legendary Stephen Matthew was next up, a mesmerizingly confusing blend of
comedy and serious songs that you can’t really pigeonhole but he had the
audience grabbed throughout – we all ‘danced’ the instructed moves to his
original track, ‘Do The Milkshake’, whilst his cover of ‘My Lovely Horse’ from
Father Ted was nothing short of amazing...Steve (a regular fixture in my
Christmas shows as an actor) has this incredible knack of being both intentionally
shambolic and appealing in equal measures and the whole room was encapsulated
by his antics. With 40 minutes to go, we were still 45 songs short of hitting
the 100 mark...so it’s a good job the mighty Jon Orchard was our final act. I’m
still not sure how he did it – well, I guess it’s all rather simple really – he
just played really, really fast. Improvising songs along the way alongside
several established tracks, the man didn’t even have time to drink in between
songs (apart from when he was force-fed shots by friends mid-tune) – there was
a fire about his performance, a determination to hit that goal, and remarkably –
with a minute to spare, he did. A frantic, fitting end to a wonderfully manic
evening. So great to see so many good friends there, both on and off stage,
with a good few quid raised towards the fringe show too – a wonderful,
wonderful night.
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