Friday, 19 November 2010

Gig report: Ethan Ash @ CB2, Cambridge

Band: Ethan Ash (duo set)
Venue: CB2, Cambridge
Date: 20/11/10
Audience: Absolutely rammed, so packed it was uncomfortable - in a good way
Set: 10 songs altogether, 5 of which I had the pleasure of playing on (the 4 tracks from the EP - Take Some Time, Hushed Quiet Silence, Dawning, Tried To Get Rid Of Me) and a new track which I can't remember then name of, interspersed with 5 non-drum tracks which Ethan performed solo - 4 tracks from his first EP, and a new song
Notes: Ethan Ash has been the iTunes single of the week all week for his superb single, 'Tried To Get Rid Of Me', which I had the pleasure of performing on, and then releasing on the label. Half way through a mammoth tour of the UK, I was invited to play live with him tonight at the EP launch in his home town, basically playing the songs I recorded with him and one extra track. There's a real buzz about Ethan, he's building a good following, and the show tonight - which was organised by the consistently brilliant Living Room team, was a lovely event. Such is the small venue, it was completely packed, with many having to stand at the back, and there was a great sense of expectation in the air. I loved it tonight, I like playing to crowds that are really up for it, and Ethan's stage presence is top notch, it's very much a gig where I need to be out of the limelight and very much in the background and I worked hard to keep myself quiet, sharp, but funky, and all in all it worked out a treat. I'm knackered.

Wednesday, 17 November 2010

Christmas stuff

It's been a while since I've updated this properly (apart from gig reports), the last time being when I was struggling to finish the Christmas script. That script, 'Santa, And The Unfortunate Allegations' is now done, and the first rehearsal at the weekend suggested it was a winner - Heather in particular seems to enjoy her returning character of Hitler Judy, and Kev revelled as Jesus. That felt like a tough one to write, but as always a couple late nights, aided by a tipple or two and the 'Best Christmas Album In The World' and it was easy enough. But like my previous Christmas shows, I really want it to be a double bill, so I'm now quickly bashing out an opening play, kind of like a support act. It'll be a lead role for Heather, simply because she's keen, very good and more to the point able to learn it quickly - she'll have about three weeks to nail it, once I've finished writing the thing. It's called '(Dawn Palmer Just Wants To Be) Loneley This Christmas' and I'm very pleased with the concept, just need to do the idea justice - and more to the point - find the time to do so. It's been a crazy few weeks, with much to be done still before I can relax a bit. The 'Awkward Christmas...' album is nearly there - Helen's now back from Thailand and is going to re-record the odd backing vocal before it's mixed, ideally it'll be completely sorted this week so I can get it to the distributor in time for a festive release, but things are cutting it a little tight. I never thought I'd say this, but Christmas is coming a little too early for my liking. Both Christmas shows need intensive rehearsals too before I'd be confident enough to start selling tickets for them.

In the meantime, the Under The Streetlamp debut album was released on Monday after a couple scary hitches in getting everything ready in time - which is remarkable I left things this late since we recorded it in February. It's out now, anyway. And also Ethan Ash - who I drum for, and have on my label, is currently iTunes 'single of the week' all this week, which is a totally amazing thing, that I have known about for a while, but very happy it's actually happened, will be interesting to see how this affects sales. I'm playing drums for him at the EP launch this Friday and it's a gig I've been looking forward to for a very long time, and the rehearsals were great. The Eureka Stockade album is done, back from mastering, and should be set up for a pre-order before the end of the week in time for it's preferred release date. The 'Awkward Christmas...' album still needs a bit of PR work, as well as actually finishing. This is a stressful week - but in a good way, I'm buzzing from it all, whilst completely knackered. If I get all the albums sent to the distrubtor, and finish the other Christmas show, and make good progress on the radio Christmas special (which will be broadcast on Cambridge City Radio at 3pm on Christmas Day...must make it good then) by the end of the week, the rest of the year will just be plain sailing. But since when was anything that simple?

Gig report: Aidy @ The Punter, Cambridge

Band: Aidy (trio set)
Venue: The Punter, Cambridge (headline)
Date: 17/11/10
Audience: Just like the venue - lovely, and charming
Set: Not sure
Notes: I really enjoyed this gig, I'd never been to The Punter before and it's a lovely place that is remarkably easy for me to get to. The acoustic event, with 5 acts playing in the 'barn' area, found us play to a nice audience, on the bill with top quality acts, and everybody felt very comfortable. Aidy was on good form tonight, with the ancedotes well recieved by the audience and with enough humour for it to be enjoyable whilst never interfering with the songs. I came out of this one smiling, it was an easy gig, but we played well (on a personal level probably the best I've played for Aidy) and felt very welcome throughout.

Sunday, 14 November 2010

Gig report: Flaming June @ B-Bar, Cambridge

Band: Flaming June
Venue: B-Bar, Cambridge (house band for comedy night)
Date: 14/11/10
Audience: Frankly amazing. Seated, responded well, wonderful
Set: Not sure exactly, but 20 minutes at the start, 3 songs at the end of the first batch of 5 comedians before the interval, and then a 20 minute set at the end
Notes: Got back from this gig about an hour ago, and I'm still buzzing from it now. I really, really enjoyed tonight, probably because I wasn't expecting to. It had been a long day of Christmas play rehearsals, alongside a slight hangover, and carrying congas from the multistory down the road as well as helping my mate Alan carry the lights for the show meant I had dead arms before the gig even started, but it turned into an absolute cracker. We were the house band for the comedy night, which sees 10 new comedians do their thing. Originally I was supposed to be playing this gig with Lu, but sadly she's ill at the moment, so one of my other bands - Flaming June, stepped in at pretty short notice. The audience tonight, a packed house in the function room of B-Bar, were a comedy audience, but they took to us instantly and even when we played the final set after the comedy (when they really could have left and gone to the bar if they wanted) a large majority of them not only stayed for the whole thing, but really got into it. I'm proud to be in Flaming June, we were on absolute fire tonight - it was incredibly hot and a little uncomfortable with those lights (yep, the ones I helped carry) burning on us, we all came out of it drenched in sweat - but it was full-throttle Flaming June tonight, Louise in particular was in incredible form, fiery, witty songs, and the crowd really took to it. She even taught the audience a fairly complex chorus to a song I'd never played with them before, and then the whole room bellowed it out - it was a lovely moment, it was a top-notch gig all round. More of that, please.

Friday, 12 November 2010

Gig report: Eureka Stockade @ High Barn, Great Bardfield

Band: Eureka Stockade (with guest Anna Scott on cello)
Venue: High Barn, Great Bardfield, Essex
Date: 12/11/10
Audience: A fair amount of them, very respectful, seated
Set: (without cello) She Got Good, Erotomania, Violence, (with cello) Broken Pieces, Warm Hands, All Alone, Without You, Through Every Darkness, Heroes Fall
Notes: High Barn is and has been for a good while my favourite venue, tonight was the second time I've had the pleasure of playing there and the fourth time altogether I've drummed there (having worked on the Lu recording sessions at the venue earlier this year). We headlined tonight, which was a lovely thing, and the brilliant Anna Scott, who played on our album (to be released December 6th) joined us for most of the set after a successful rehearsal during the week. The support acts were all very young, making us feel very old, the audience were reserved but polite enough to make us feel welcome. The sound was great, we were a bit off the pace for the first tune, but by the time we were at 'All Alone' I felt we were really flying, and Anna's performance was consistantly great. I was a bit caveman-like in my playing tonight, far too bashy, but I doubt anybody noticed - in fact some audience members were extremely complimentary afterwards. Capped off the evening by not getting lost, which is a huge bonus and a first for me at that venue, although I did cheat and follow Nathan the bassist.

Thursday, 4 November 2010

Christmas script

I just looked back on what I wrote on here exactly a year ago today...this time last year I was in a terrible mess, trying to write the Christmas show and struggling for inspiration. One year later, and it's an identical situation. I've been working on this script for a week now, it's a comedy called 'The Day The Carol Singers Stole Christmas', I've got every festive hit blaring out to the extent that I'm expecting my landlady to complain, I've tried caffeine, I've tried alcohol, I've tried sleep...the idea is a goodun, probably my best yet. But can I fucking write it? Of course not. The show opens on the 17th December, the cast want/need the script. I've got a million other things on the go. I'm stressed. I probably shouldn't be writing this and actually getting on with it.

Tuesday, 2 November 2010

Under The Streetlamp - album artwork


Excellent artwork for our forthcoming debut album, courtesy of Mr. Chris Boland...